The ten-minute title track gets the album underway, opening tentatively with flickers of noise and digital debris crackling like fireworks in the distance. Soon a flood of symphonic guitar and electronics overwhelms the mix and we’re reintroduced to the signature sound world that’s unique to this man’s music – he’s one of the most imitated electronic artists out there, and yet you can always pick out the real thing from a line-up of clones.

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